Two videos were shot for the song. The first, directed by Reid Long, features footage from the band’s concerts, as
The Black Keys returned to Coachella with a neighborly hello and operated essentially as they have many times before at
The production was bigger, with colorful graphics flashing on the huge screens around them, but the music remained rooted in
This is concert coverage at its best. Camera movement is kept to a minimum, shots are steady, rarely is focus